A Pink Lady Lemonade Concert/Party
LOUD MUSIC: 20:30 :)
LIKE and be part off the family!
...a beatmaker from San Diego, CA; toured as Skrapez with Gonjasufi on hes last Europe run and blasted up Forum Keller. He is part off Creatures and Kilowattz crews.
ZENI GEVA is a Japanese prog-hardcore band, led by singer and guitarist KK Null, one pioneering group of innovators and legends.
ZENI GEVA was founded in Tokyo in 1987 and quickly found a dedicated fan base in Europe and the US. Their popularity in the west enabled ZENI GEVA to be one of the first Japanese bands to tour in Europe and the US with bands like Bastro, Crash Worship, Dazzling Killmen, Don Caballero, Eyehategod, Melvins, Neurosis, Pain Teens, Shellac and more.
Steve Albini rates ZENI GEVA as one of his favorite bands. He highlights the band's wide range of influences for keeping the ZENI GEVA sound diverse and challenging. Steve also admires the way ZENI GEVA embrace the Japanese culture in their sound rather than trying to Westernize it.
Subsequent tours have comprehensively covered Europe, the US, Canada, New Zealand and Australia, proving a fast emerging worldwide audience.
ZENI GEVA has released 12 albums (5 out of them produced by Steve Albini) on Jello Biafra's Alternative Tentacles, Null's self label NUX Organization, Skin Graft, Neurosis' Neurot Recordings and more. Also ZENI GEVA recorded twice for John Peel Session on BBC.
In 2009 the 2nd original drummer Tatsuya Yoshida (Ruins) who had been playing in the band in 1989-90 and recorded the 1st CD "Maximum Money Monster", came back and brought the band with more complexity and hyper energy.
Master of deconstruction and reappropriation, Walter Gross’ no-rules approach to freak-noise experimentation has led to collaborations with artists such as K-the-I???, Skrapez (Tenshun & Psychopop) and Sole (Anticon co-founder, Fake Four Inc). Nowadays, oozing from the cracks of his claustrophobic sound lab, Walter Gross bleeds percussive mayhem and grungy vocals; his constant reinvention informed by a chequered history of debilitating aural impairment, cinemania, and relentless ambition. Gross presents a slice of Baltimore’s psych scene through a mosaic of work that is systematically re-constructed, broken down and reassembled with an affronting intensity that will bend your ears and your mind.
For over fifteen years, Zu's modus operandi of straddling and abusing musical genres has resulted in over fifteen unique album releases across labels such as Ipecac, Atavistic and Headz (Japan). Their experimental amalgam of metal, math, no-wave, noise and electronics, led acclaimed composer John Zorn to describe their sound as "a powerful and expressive music that totally blows away what most bands do these days".
In the running for the title of "the world's hardest working band," Zu have performed over 1000 shows throughout Europe, US, Canada, Asia, Russia, Mexico and even Africa, touring with the like of Mike Patton (as the Zu/Patton quartet), also sharing the stage with Faith No More, Fantômas, The Melvins, Lightning Bolt, Sonic Youth, The Ex, and countless others. They have also collaborated with a vast number of musicians including Mike Patton, The Melvins, Dälek, Jim O' Rourke, FM Einheit (Einsturzende Neubauten), Peter Brötzmann, Nobukazu Takemura, Eugene Robinson (Oxbow), Steve MacKay (The Stooges), The Ex, Thurston Moore, Stephen O Malley, Damo Suzuki (Can), Mats Gustafsson, NoMeansNo, Joe Lally (Fugazi).
Five years since their last full length on Ipecac, the critically acclaimed Carboniferous, and following a three year hiatus, Zu returned in May 2014 with the release of a brand new EP, Goodnight Civilization (Trost Records) and with a line up change that introduced the mighty Gabe Serbian, best known as the drummer for the legendary Californian band, The Locust.
In March 2015, Zu are preparing to release a brand new full length via Ipecac Recordings, entitled Cortar Todo, and recorded in the countryside near Bologna, Italy, in the summer of 2014. The album features some very special guests including keyboard player Joey Karam (The Locust), Italian guitar maverick Stefano Pilia (who plays regularly with the likes of Mike Watt, David Grubbs and Rokia Traore) and perhaps most unexpectedly, a field recording of an indigenous Shipibo medicine man recorded by Massimo during his travels around the Amazon.
Cortar Todo reveals new dynamics from the band, the album is more direct, sharp, focussed, and more intense and musical than anything we have heard from Zu so far. In addition to the album release, we can expect a long period of touring starting in Spring 2015.